Ah, ginger beef tripe from Yum Yum Cha Cafe. Though no longer a fixture of Rice Village, many a Sunday morning the Harvey/Maya family traveled to its storefront window and entered in search of dim sum. Beef tripe comes to us from the muscle wall of the first three chambers of a cow’s stomach. The … Continue reading The Anatomical Theater: The Stomach Our Cultural Engine.
Ah, the brain. Fergus Henderson devotes an entire section of his Nose to Tail cookbook to Lamb’s Brains. Why lamb’s brains? When brains were available, lamb’s were cheap compared to the calf’s, but still delicious, creamy and rich, and no other ingredient offers you better possibilities of the gentle give and crunch combination. (58) Thank … Continue reading The Anatomical Theater: The Brain (part 2)
Look at it. So beautiful. Firm, bright color, everything you would want. Consider Harold McGee’s view of skin in On Food and Cooking. Usually cooks don’t welcome large amounts of toughening connective tissue in meat. But taken on their own, animal skin, cartilage, and bones are valuable exactly because they’re mostly connective tissue and therefor … Continue reading The Anatomical Theater: Skin And Flesh
It’s November 8, 1895, late at night, and Wilhelm Röntgen, Professor of Physics in Worzburg, Bavaria sits in a dark room. He’s enclosed a discharge tube in a sealed, thick, black carton. He lifts a paper plate covered on one side with barium platinocyanide in front of the discharge tube and the plate turns fluorescent. … Continue reading The Anatomical Theater: Bones
No, not garbage, nor a disturbing twig sculpture out of True Detective. Though, all in all, given where we travel in this essay, similarities abound. A male satin bowerbird crafted the construction at the top of this post. Why? I found the answer in David Rothenberg’s Survival of the Beautiful: Art, Science and Evolution. He’s … Continue reading “I Just Want To Make Love To You.” Actually, I Just Want To Make Art. Bowerbirds, The Faerie Queen and Etta James.