Outside the winter wetlands of Sweden continue to breakdown animal and vegetal matter into a rich loam feeding tree, deer, duck and wandering humans. Inside, I continue to enhance the decay of the world in a pot. A crucial step in the final bog, that rich gumbo broth, occurs with the making of a roux, … Continue reading Cooking the Bog. Day Two With Rust Cohle And Bosnian Rainbows. Darkness In The Wetlands.
Another Eduard von Grützner painting and another pour of beer. He’s a happy looking monk isn’t he, well so am I, and so are bishops, monks don’t just have all the fun. And yet when it comes to reaching the Lord, of course, he, she, it, them remain forever out of reach despite voices in our … Continue reading Bishop’s Barrel #21 Lifts Me To Heaven, While God Remains Ever Out Of Reach. Part Two:Wings.
A.E. Housman in “Terence, This Is Stupid Stuff” from A Shropshire Lad has much wisdom to impart, but none of more magnitude and maltiness than the above lines; while Eduard von Grützner oil painting of Monks Drinking Beer In A Cellar portrays our current post out quite nicely–beer and God. Let’s start down below; let’s start with … Continue reading “And Malt Does More Than Milton Can To Justify God’s Ways To Man:” Theological Speculation With Many Great Brews. Part One: Death And Kokytus.
Louis Vincent Palliere renders in bright colors the infamous Slaughter of the Suitors” by Odysseus and Telemachus, note those gorgeous capes tripping hues between orange and red. I love cooking sausages. All sorts of sausage. Beef, chicken, lamb and pig; andouille, bloedwurst, boudin, bratwurst, chorizo, hot dogs, kielbasa, knackwurst, linguiça, longaniza, merguez, morcilla, saucisson, soppressata, … Continue reading Sausages And Cooking Murder.
A pulling back of skin and forceps on flesh reveal an inner world of the human body in Rembrandt’s The Anatomy Lesson of Dr. Nicolaes Tulp. Anatomy lessons entertained curious spectators throughout Europe from the sixteenth into the nineteenth century. Such spectacles danced the edge of the sacred and profane as worlds under the skin … Continue reading The Anatomical Theater Of Anthony Bourdain
Gustave Doré portrays one of the most famous acts of chewing in literature. At the end of Dante’s Inferno, the Poet and Virgil walk upon on ice amidst the very, very damned as we read in Robert M. Durling’s translation. . . . I saw two frozen in one hole so that one head was a … Continue reading Thinking About Chewing
Diana and Actaeon as painted by Titian. And a quote from Shakespeare’s Romeo and Juliet. The hunter after filling the forest with blood looks upon the chaste goddess of the hunt, and in so doing seals his fate to become the stag his own dogs kill and eat. Consider the film below that The National … Continue reading Actaeon: “These violent delights have violent ends.” And they are served at the dining table.