Banquet World: “These Violent Delights Have Violent Ends.”

In the HBO series Westworld, androids also known as “hosts” struggle to achieve the most fundamentally unique experience of the human species, consciousness and all its attendant wakefulness and awareness, or so we’d like to think about ourselves, but hosts like Dolores Abernathy and Maeve Millay become alert to themselves and the world around them, distinctly … Continue reading Banquet World: “These Violent Delights Have Violent Ends.”

Prolegomena To Any Future Ragù.

I read Immanuel Kant’s Prolegomena To Any Future Metaphysics after spending many years with Hermann Hesse, Franz Kafka, Jorge Luis Borges, Anne Carson, Gabriel García Márquez, and Virginia Woolf which means I understand Kant’s metaphysics through those authors, through The Metamorphosis, The Circular Ruins, Autobiography of Red, One Hundred Years of Solitude and The Waves.   My … Continue reading Prolegomena To Any Future Ragù.

Blood In The Kitchen.

My morning thoughts do not immediately turn to blood, but then I read an article by Katie Macleod which offers a wonderful observation of blood sausage and what we will eat when we’re young and what we will not in Blood for Breakfast is Wasted on the Young.  And then, all my thoughts turn bloody. … Continue reading Blood In The Kitchen.

Transforming Tongue: The Alchemy of Cooking (“True Detective” Style).

White to rose to crimson this cow tongue’s muscle, fat, cartilage, and bone draws our attention more as anatomy than food, but food it is . . . simmer for hours, smoke for hours, roast, sautée, stew.  Why paint such a raw scene?  Gustave Caillebotte’s Calf’s Head and Ox Tongue (1882) exemplifies an everyday reality … Continue reading Transforming Tongue: The Alchemy of Cooking (“True Detective” Style).